A few years ago I had my first and only affair in internet, so spontaneous, as mysterious, that somehow I left a bittersweet taste, because I could never unravel that damsel who was behind the screen of my computer and whose fictional or impersonated name was everything Melina began with an email that I get any day confessed where the Lady me openly that she loved my way of writing and continued my footprints on the web had long, reading with passion all article or note under my name and especially the summaries that I did of the telenovela Yo soy Betty la fea which was in full fury in all of South America and were expected by all the followers and supporters of such famous production in those countries and that are still buried in the Forum: Emails between her and I began to cross without fail, day after day, intertwined with a nice friendship, and then what could be called a cybernetic romance that was characterized by long hours sitting front of the computer and many hours of telephone conversation, morning, afternoon, and night, that circumstantially fueled a farce from side to side, because despite that at some instant reach to think that Melina, was who claimed to be: an actress of Italian-American origin living in Argentina, dial in love of a Colombian amateur to the melodramas and who wrote a popular and busy Forumhis FIBS pious loaded with fantasy and dalliances of woman masked in the internet, unfortunately became the trite and implausible plot of a classic melodrama Mexican or Venezuelan. Actress of Italian-American origin living in Argentina was supposed to be a millionaire, daughter of a Gaucho television magnate, flying in his private of Italy to the Argentina and thence to Methuen Massachusetts plane and in a twinkling of an eye was orphaned of father and mother, immediately inheriting an immense fortune, circumstance which prevented him from carrying out a planned trip to Colombia to meet in person with their plebeian Romeo (any similar) with a Venezuelan telenovela or (Mexican, is mere coincidence). . .
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